The Journal · Vol I · Note N°03

ON COLOUR

A wardrobe is a colour palette you haven't admitted to

An ink drawing of four folded cloths laid side by side: a knit, a silk, a tweed and a linen.

Lay every garment out on the floor and a thing happens that nobody warns you about. The wardrobe, which felt various, even riotous, while it lived in drawers, turns out to be three colours. Possibly four. There is a navy. There is a stone. There is, somewhere, a single hopeful red that arrived in 2019 and never quite belonged.

This is the wardrobe’s confession. We dress, mostly, in the colours of the person we already are, and the occasional contradictions are ghosts of the person we briefly thought we would become. The palette is involuntary. It tells the truth before the mirror does.

Knowing this is not a problem in need of solving. Most lives do not require a riot of colour; they require a working palette, honestly identified, that can be added to with intention rather than impulse. The mustard cardigan that doesn’t go with anything was a vote against the rest of the closet. It rarely wins.

The useful question, after the laying-out, is not which colour to add. It is which of the three you have been pretending isn’t your favourite.

The Atelier letter

Essays like this one, a few times a month, by email. More about the letter

The studio

Composed in a converted barn in Cobham, Surrey.

One person, one barn, a great deal of cashmere. Atelier is privately held and made here, for considered closets everywhere.

Meet the maker
An ink drawing of The Long Barn: a timber barn with dress forms in its tall windows, a lantern by the door and a tree beside it.