The Journal · Vol I · Note N°04

ON TRAVEL

Packing as an act of editing

An ink drawing of an open vintage suitcase with leather straps, a few shirts and knits folded inside.

Five days. A small case. Some weather you have half-checked. This is the moment a wardrobe is asked, finally, what it is for.

Packing is the most honest audit a closet ever gets, because the suitcase will not accept your aspirations. The dress kept for the version of you who attends galas does not come. The boots that hurt are reconsidered, again, and left behind, again. Everything that goes into the case has been forced to declare itself useful at this temperature, in this configuration, on these specific days.

What returns from the trip is data. The shirt you wore three times is the shirt you should have owned ten of. The trousers untouched in the suitcase are trousers you do not, in any real sense, wear. The single jumper that handled all five evenings is the jumper against which the others should be measured.

The wardrobe at home is doing this calculation already, every day, in quieter form. It is simply harder to see when nothing is on a deadline.

The Atelier letter

Essays like this one, a few times a month, by email. More about the letter

The studio

Composed in a converted barn in Cobham, Surrey.

One person, one barn, a great deal of cashmere. Atelier is privately held and made here, for considered closets everywhere.

Meet the maker
An ink drawing of The Long Barn: a timber barn with dress forms in its tall windows, a lantern by the door and a tree beside it.