The Journal · Vol I · Note N°06

ON LETTING GO

The garment you forgot you owned

An ink drawing of an open wardrobe, dark coats crowded on either side and a single dress lit in the middle.

There is, in every closet, a dress. Or a jumper, or a pair of trousers; the specific item varies, the structure does not. It hangs at the back. It was bought with conviction. It has not been worn in fourteen months.

Functionally, this is a garment you do not own. You cannot wear what you cannot remember. The item exists on the rail and not in your life, and the gap between those two facts is the entire problem of a wardrobe.

The instinct, on rediscovering such a thing, is guilt, followed quickly by a vow to wear it. Sometimes the vow keeps. More often the dress returns to the back of the closet within a fortnight, having confirmed why it was there in the first place: it does not quite fit, or quite suit, or quite live in the same world as the other clothes.

The honest move, in that case, is to let it go. Not because it was a mistake (it wasn’t, on the day) but because keeping a garment you do not wear is the most expensive thing a wardrobe can do. The shelf space is finite. The morning is finite. The garment is, in every meaningful sense, already gone.

The Atelier letter

Essays like this one, a few times a month, by email. More about the letter

The studio

Composed in a converted barn in Cobham, Surrey.

One person, one barn, a great deal of cashmere. Atelier is privately held and made here, for considered closets everywhere.

Meet the maker
An ink drawing of The Long Barn: a timber barn with dress forms in its tall windows, a lantern by the door and a tree beside it.